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Spoken Bird – Liquid Soul Mantra

time February 2nd by Dalton authorTags: , , , ,

spokenbird

Alex Gonzalez, more commonly known under his stage name ‘Spoken Bird’, is back with another solid installment in his panoply of cutting edge tracks with Liquid Soul Mantra. After 6 years in the mix, 28 year old Gonzalez is undeviating in releases that are growing in popularity throughout the future sound arena. Gonzalez has made a lot of advancement in his sound composition from earlier releases while continuing to manage his unique statement bass. He began djing parties in his college town and a quickly noticed a hunger for experimental sounds in the local community, so he began throwing renegade events to create an outlet for those in want. Once his eyes were set on making music and producing original content, he joined a round robin work group compromising of artists such as Devin Kroes, Itsurite, Urple Eeple, and Mia Lolita where they shared material and constructively critiqued each other’s work.

Feeling more seasoned and inspired, he was then able to open up and share his music with others.  While prolifically maintaining his solo endeavors, Spoken Bird also balances side projects ‘Lucid Solutions’ and ‘Triple Threat’ with friends and fellow artists Lazertooth and Elevated Mind. Along his journey there have been many stand out moments such as opening up for Polish Ambassador and Wildlight for a crowd of over 3,000 people and getting asked to perform at the festival that solidified his relationship with bass music, Symbiosis, in 2013. Fast forward a few years and the epic continues, with Alex’s newest chapter in the story of Spoken Bird.

This compilation highlights Gonzalez’s idiosyncratic style with distinctive bass lines, tastefully playful melodies, and pulsing composition. With his forward thinking sound design paired with a steady progression, this glitch hop collection will keep the energy high and the fairies moving. It was a pleasure to get to open up the space and detail a little more into the inner workings of this fresh EP release. Enjoy some inside perspective to the foundational mechanics and esoteric understandings of one of Afro Monks favorite new releases.

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Exclusive Spoken Bird Interview

Can you lend us some clarity into the title “Liquid Soul Mantra”?

The name actually came from an old poem of mine, which sadly has been lost in the digital ether on an old hard drive that failed. Essentially though it represents my own connection with water and with constantly being in a state of flow. It connects with the idea that our bodies are simply a vessel and our souls are eternal able to flow from one container to the next like water. If you fill a cup with water, the cup is the vessel and the water is the soul, if you drop the cup and it shatters, the vessel may be gone but the water is still there, if you dry it up with a towel the water is now in the towel but if you wring out the towel the water flows out, its fluid and free.

As always I love the signature lazer bass. I like how your style notably advances but the bass lines and kits seems to remain intrinsic to your sound. Is this something you try to achieve intentionally or something that ends up happening on its own?

A little bit of both. I try to use a mixture of new sounds and old sounds, and I have a big library of bass patches, synths, etc that I have created over the years and keep coming back to because I love the way they sound, other times I challenge myself to make new sounds and push the envelope. A lot of it also has to do with the nature of the synths I use (A lot of Razor for Reaktor and Serum from XFER Records) and the kinds of sounds they tend to be good at making.  

This is a very solid 3 piece release. Was this intended to be only three tracks or did it start as a single or the beginnings of a full length release?

It was actually a 4 track EP but sadly one of the tracks was an older one in a different version of Ableton, on an older computer and when I got my new macbook I wrote the other 3. When I came back to the older track [which I had managed to salvage from the failed hard drive I mentioned before] all of the patches and synths had reset themselves to the default synth sound so I basically lost everything. Instead of trying to redo all the sound design and synthesis I decided to just keep writing new songs, work on remixes for friends etc and just release this one as a 3 track EP.

Is there anything you might be trying to evoke in listeners through these new tracks?

My music has always been about painting pictures on silence with sound. Honestly I just hope that people can get lost in their own imagination or lost in the movement of their body on the dancefloor while listening to the music!

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From the start to the final product, how long was the process for this collection of tunes?

I’ve gotten faster at writing over the years and especially after getting my first EP out, which took me a looooong time to get together and get released [2 years of going back and forth], I dedicated myself to writing for at least an hour a day and trying to really focus on getting songs completed. For this EP I would say that from start to finish the whole writing process took me about 3~4 months and then getting together artwork, release strategy, a record label etc was another 3~4 months.

It’s hard for me to call, but I think I would have to say that “Moments of Clarity” stuck out to me most. All of the tracks embody a very bouncy, playful spirit, but MoC really paints a vivid picture with a banging lead verse, beautifully arpeggiated melody, and then to a glitchy, atmospheric break down. Can you give us any insight into the influence behind the title? a little bit of the process behind making it? Personal connection to it?

At the time I was going through a lot in my life, just kind of stressing out about student loans, finding a place to live, not having a fully stable relationship/being in a long distance relationship, struggling with the decision to quit my job and switch to working part time so I could focus more on writing music. Then it kind of hit me one morning, when I got into an argument at work with my boss and decided right then and there that it was time to quit and start focusing on music. I was so frustrated with everything and with working for someone else and not having enough time to work on my true passion, music, that it was kind of a moment of clarity for me. I put in my 2 weeks the next day and almost immediately found a part time job working 20 hours a week with extreme flexibility and 4 day weekends to go play gigs and write new music. It really marked a big shift for me, and I was super inspired after quitting my previous dead end job, so after putting in my 2 weeks I went home and began working on Moment of Clarity which was actually the fastest song of the EP to be written (from start to finish it took me 3 days which is the fastest I have ever completed a song).

As for the song-writing itself, I actually took a lot of inspiration from listening back to eDIT’s Crying Over Pros, hence the glitchy break down.

Could you shed some light into the assembly of your works? Take us into a day in the studio with Spoken Bird. Where does it start, how do you push through stagnation, how do you know when a piece is done?

I don’t really have a typical day in the studio as for me the inspiration always hits at different times and for different reasons though lately I’ve been noticing a trend of either getting inspired super late at night when I am coming back from a gig, etc and writing music into the wee hours of the morning, or getting really inspired right after waking up, taking a shower and drinking a cup of coffee.

Essentially though, when I get inspired I will open up Ableton and usually start with a melody or chord progression I am hearing in my head, and then build from there, usually adding rudimentary drums, and then a bass line to fit the chord progression, which will usually be super simple at first, and then once I have the notation for the bass line down I will go back in and tighten up the drums, make them more intricate, move kicks and hihats around to better fit the groove, etc. Then I will go in and add automation and different bass sounds to the bass line to start getting the signature “Spoken Bird” lazer bass sound. From there I will start adding more melodic elements like pads, stabs, ear candy, etc.

I think a big part for me as well is knowing when to drop a track or when to push through. A lot of producers talk about the idea of knowing when to stop polishing a turd, which is true, if you polish a turd, it’s still a turd at the end of the day. So you kind of have to know when an idea just isn’t good and to move on to something else.

With that said, I also think it’s important to know when to push through and keep writing. Sometimes I will have something I am just not feeling and will be thinking about scrapping it, and then I’ll take one element and change it to a different patch, or arpeggiate it, or maybe I’ll change the patch on a particular bass sound and all of a sudden BOOM! Now the track is banging and im feeling it and super inspired to keep writing.

I think it’s also important to know when to take breaks, give your ears a rest, or just simply stop listening to the same half a bar over and over again trying to get it exactly right. As that tends to happen a lot haha, sometimes my roommates will be like, “DUDE! IF I HEAR THAT SAME HALF BAR LOOP ONE MORE TIME!”.

Do you have any plans for Liquid Soul Mantra? Are you hoping to open up the space for some more touring or shows or simply keep the bass kittens prring?

I’m hoping that some of the right people take notice of the new music and I can begin to get more shows, play some new festivals and just keep spreading the music to dance floors across the country, but ultimately I am happy to just get the music in people’s ears. If I can convert one more person into a bass music fan, I am happy :)

Alright my friend, any last words you would like to share with your fans or the community?

Love more, fear less.

If you believe it, then live it and be it or leave it be.

Category: Artist Spotlight, Bass, Glitch Hop, Interviews, Mid Tempo, Music, Reviews | commie 1 Comment »

Psy Fi – Colors

time January 11th by amalgamation23 authorTags: , , , , , , , , ,

Psy Fi Colors Art

Psy Fi releases ‘Colors’ on MalLabel on January 7th, it’s a full length album featuring 10-tracks of solid dopeness!  It’s fresh and filled with hard hitting bass, glitch hop feels, psychedelic frequencies, intricate textures, 808’s, and mind blowing composition – it’s fire!  This also release screams out flawless sound design fused in with eerie sonic atmospheres and trippy crescendoing effects made possible through energetic vibrations and next level melodic vibes.  Miles does a great job of creating expansive ignitions as they rise through the depths of rich layered textures.  Along w/ the release are also 5 remixes of originals by Hollis, Perkulator, Muppet Punk, Hypha, & Wu Wei – all showing a remarkable taste of bass and deep collaborative and futuristic escapes!

Miles Ross is a West Coast bass producer hailing from the streets of the Bay Area in Oakland, where mass creativity leads and inspires.  On the path for loads of productive potential, Psy Fi will keep his soul uplifted as he digs deeper within himself to showcase his gift to the world.  I have yet to catch a live show as he I hear he exemplifies all-original live performances which range in diverse, mind-melting, rareness, and fluid exposure – a transcending effect which has left many emotive responses and high-rating depth.  Newly sign into the Re:Evolution booking fam, keep your eyes pealed for live performances in a city near you!

Category: Glitch Hop, Music, Psychedelic, Reviews | commie No Comments »

5AM – Deep See

time December 18th by amalgamation23 authorTags: , , , , , , , , ,

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5AM releases ‘Deep See’ EP on Aquatic Collective today, December, 18th, 2015. It’s a four-track amalgamation through the depths of visions into the ocean, through breakbeat, glitch hop, live instrumentation, downtempo feels, and jazz vibes – it’s a true masterpiece.  Currently residing in New York, NY, Sam Andrus’ creativity is a breathtaking experience that syncs up magic into the now, a gateway of endless expressions has entered his soul. It’s full of depth, intricate patterns, grimey & squishy glitches, rhythmic melodies, and awe-inspiring composition.

Each track provides a story of its own, an evolving phase through higher levels of consciousness.  Experience a collaborative creation with friends: production/live guitar (Sam Andrus), live trumpet (Moses Cicero), acoustic guitar (Eviali).  This sonic journey will open up your chakras and reveal to you visions through the mind’s eye of the Universe and into the Akashic Records, a Deep See.  5AM is a producer to keep your eyes pealed for…he’s definitely one of my favorite producers, he’s had a few releases within the year that are pure clarity, always keepin’ it fresh.  Dope art work by 5AM himself!

Category: Downtempo, Glitch Hop, Music, Reviews | commie No Comments »

Tipper – Its Like EP

time November 2nd by amalgamation23 authorTags: , , , , ,

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Tipper releases “Its Like” EP on October 14th, 2015 on Tippermusic.  Nu skool breakbeats set the theme for this release as it’s fused in with a leading funky, heavy bass, downtempo, and midtempo beats and feels – an overall experimental electronic experience. I dig how all of Tipper’s releases always go specifically unannounced and unexpected, a mystery slowly unraveling itself from the get-go.  Creating endless suspense, leading intriguement, and fresh innovation to his sound presentation, our ear pineals are in treat for more glitchy feels in comparison to a more downtempo approach earlier in 2015 – Fathoms EP.  Tipper’s gestures are legendary in variety as he’s truly an authentic master for various themes: intricate sound design, flawless melodies, ethereal soundscapes, hard hitting drums, mixdown, & live focus.

“Its like” EP consists of four-track escapes into glitch hop feels: Its Like, Distal, Table Flipping VIP, and Flares At Dawn.  “Its LIke” is a funky fresh glitch hop beat introduction as it reveals the theme to the EP – glitchy breakbeat. Turntablism takes a leading role in this track as crescendos and squish beats give of a glowing effect of brain strategization through alien gestures.  “Distal” is trickling melodic beats of intertwining rhythmic and glitchy soundscapes through intentional taste and variety.  Melodies on melodies on fresh fuse together to create an elaborate effect as elevating crescendos groove into discovery. “Table Flipping VIP” takes on a percussive role as its like a re-lived experienced and new vision of the original “Table Flipping” track he released on his EP, Forward Escape.  Illuminating and geometrical sound design over exceeds the gift of creation.  “Flares at Dawn” is a more downtempo approach than the latter – an ambient meditation can be felt as soothing synth effects expose in-depth yuminess.  It’s as if angelic drones through instrumentation is displayed in higher consciousness.  

Category: Glitch Hop, Mid Tempo, News, Trip-Hop | commie No Comments »

My Pet Monster – New Age Gangster [MalLabel Music]

time August 21st by amalgamation23 authorTags: , , , , ,

My Pet Monster releases his solo debut, New Age Gangster, on MalLabel Music earlier this summer and it’s a “cinematic dubstep” extravaganza of many moods and eras.  From Electro Swing to Hip Hop, this Ghetto Swing feel will have you swerving and feeling groovy, hop on the 1930’s millennium swing-hop. West Coast feels will  regress you 3 generations down while remaining in present day flavor and flow.  Ryan Summers resides in San Francisco, California and has been focused on the creation of this new sub-genre of electronic music.  Artwork by Sparkuhl on the album art is very original, and brings in visuals that are in sync to the title: New Age Gangster.  Adding to the album art cover, a pet monster is revealed next to six symmetrical women figures with a 30 – 40’s look.  A new age of reaffirming the impossible, a mixture of sounds never thought possible, has come into a reality state.  Classic sounds blended with present-day glitch and bass make it a journey of its own.  

New Age Gangster consists of 3 original productions including incorporation of soulful vocals, and 3 remixes of the originals:  New Age Gangster, When I Get Low I Get High, Baton Rouge Bounce, and remixes include: “New Age Gangster” by Samples, and “Baton Rouge Bounce” by Defunk and Timmy Tutone.   “New Age Gangster” kicks off with mid tempo snare, and a momentum of rhythm accumulates, while whistles blend in the mix.  Piano and brass instrumentation giving off a danceable beat.  Woodwinds can sporadically be heard and the production of glitch hop squelches and future bass make it a unique creation.  Combination of two opposing worlds mixing freshly.  When I Get Low I Get High, is full of an upbeat tempo and female vocalizations of old-school swing music, with fine creation of sound design of bubble wurbbles and twists of lasers.  Saxophone and snare give the swing a full effect, break down your best dance move, as the title suggests the style of swing dance.

Baton Rouge Bounce definitely has a southern touch to it.  The track initiates with a banjo crescendo that foreshadows a steady swing, and old-school breaks.  A very melodic swing vibe is present, with additions to well thought out glitch patterns.  New Age Gangster remixed by Samples reveals his signature glitch-hop style filled with hard hitting bass lines – a crunk effect that will leave you feeling like the sound of lightning bolts striking.  Very rhythmic composition blends well between the genre of My Pet Monster and his.  Baton Rouge Bounce remixed by Defunk has initial piano key notes and saxophone instrumentation by My Pet Monster which is then meshed with incorporation of deep male vocals.  Soon, Canadian producer, Defunk, crescendos an upbeat vibe full of glitch and funky and melodic bass beats for the rest of the track to follow.  Baton Rouge Bounce remixed by Timmy Tutone adds in 808 explorations and a smooth feel, a future sound that is pleasant to the ear pineal.

The development of American “Swing” music in the 1930’s is back with a twisted and glitch-ed out vibe.  My Pet Monster isn’t afraid to make his ideas an innovation, as this cinematic dubstep and glitch producer has shown in his first solo release.  Tagging along to his creation, three well-respected bass and glitch producers joined in on the mix exposing endless support for his style with their own unique taste.  I’m excited to see My Pet Monster continue to grow as an artist, especially after a release with a well-known established label.  MalLabel continues to hit high charts as they will continue to expose artists and producers such as My Pet Monster.  If you’re in the West Coast, be sure to catch artists branching out of this label the best way possible: LIVE.

Category: Dubstep, Glitch Hop, Music, Reviews, Uncategorized | commie No Comments »

Zebbler Encanti Experience – Freakquency [Gravitas Recordings]

time August 19th by amalgamation23 authorTags: , , , , , ,

Zebbler Encanti Experience released Freakquency on Gravitas Recordings on July 15th 2014, and it’s a gateway of vivid expansion of the mind made possible through twisted and thought-provoking mixed genre sound frequencies in a newly formed imagination.  Zebbler Encanti Experience is a psychedelic twist within itself, an audio-visual journey seen through the mind’s eye, triggered through auditory and sensory of high frequencies vibrating in multiple directions, as molecules of sound being presented in the most freaky instances.  Encanti is the mastermind behind the psytrap/bass/glitch/electro  sound design, production, and mastering of the audio sense, while Zebbler projects mind-bending visuals, a futuristic foundation of visible uplifts.  In his past, Zebbler has collaborated with the EOTO & Shpongle for visual enhancement, both having high experience and intellect of association in their field. This kaleidoscopic representation of sound will take you on a roller-coaster blast into infinity.  Is there anything more psychedelic and twisted than the Shpongle crew?  This album will reveal a new sound-universe, and bizarre visuals as seen in the “Freakquency” Video ; the embodiment  new-age advancement of next level thinking and experimentation.

Freakquency consists of 5 psychedelic ventures of their own:  “Perceptronium”, “Follow the Bubble”, “Neuron Dialect”, “Frequency”, & “Immediacy ft. Ganavya”.  Perceptronium is the idea that human consciousness is simply a state of matter, the idea that there are many types of matter (solids, liquids, gases), as there are many types of consciousness.  Through sound experimentation, Encanti fuses unimaginable genre-bending impossibilities and strategies of glitch sound filled with fluidity to create a unique audio experience.  Psychill patterns immediately blend into an upbeat electro high-frequency and warps a back-flip in your mind and dives into a mid-tempo dubstep atmospheric relief and repeat.  Follow the Bubble is like a video game full of speed and action, a psytrance feel.  It’s like mouse-trap – except through sound, I’d describe it as psytrap.  This mixture will make your heart race, it’ll give you electro energy, glitch-hop swerve, and chill trap 808 dub grooves.

Neuron Dialect is mystery waiting to be revealed.  Synthesizers and glitch frequencies mesh well to create an uplifting auditory experience.  Electronic bass feels and clicks make it a never-ending soundscape, a continuous blending of neuron activity running through a psilocybin experience.  Freakquency is psytrance at its peak, a multitude overload of freak-dance moves revealed through pupil-dilation, a Clock-Work Orange effect.  Midway, a bubble of glitch-induced beats pour out like laser rain drops.  Marching wurbbles and ziggles and inventions of all sorts take place in multiple instances such as reversing, fast-forwarding, ultimately creating and twisting sounds and distorted hip-hop lyrical “Freakquency” voice tones which can be heard sporadically.  Immediacy ft. Ganavya is a chill step vibe of groovy encounters.  A thousand sound thoughts per minute have slowed down the effect full of glitch patterns from the previous tracks and it reveals a chill out yet melodic atmosphere fused with deep-bass lines .

Zebbler Encanti Experience is a creation of sound advancement in the most inventive combinations of psychedelic triggers I have yet heard.  Steaming from having past collaborations with EOTO and Shpongle, the Zebbler Encanti Experience will reveal a fear-less creation of sound exploration and will lift you to another dimension.  They’ve been hitting a U.S.A. Summer Tour reaching multiple cross-country states, and the next stop is Burning Man, so if you’re going, be sure to catch them there next.  This Gravitas Recordings release adds to the glory of their experience, both outlets incorporate diversity in their projects, always on the next level, always pushing and searching for the most fresh sounds.  I’m eager to follow this duo more that is sure to surprise with their upcoming projects, you thought this was a crazy and new-found experience? I’m sure they have further ground-breaking projects of sound and visual mappings planned out for future releases, excited to see where these forward-thinking innovators will take us with experimentation of all levels.

Watch Zebbler’s Visual Projection Video of: Freakquency (music video by Zebbler Encanti Experience) .

Freakquency released on Gravitas Recordings:

Category: Downtempo, Dubstep, Glitch Hop, Mid Tempo, Music, Psychedelic, Reviews, Uncategorized, Videos | commie No Comments »

Psymbionic | Parallels Part 2 – Eye [Gravitas Recordings]

time July 4th by amalgamation23 authorTags: , , , , , , , , ,

Psymbionic releases Part 2 of “Parallels” [Eye], on Gravitas Recordings on July 1st, 2014. This second part of “Parallels” explores a parallel genre to that of a heavier bass influenced feel for Part 1. It revels an atmospheric creation of downtempo/chill feels, an experiment that illustrates Psymbionic’s versatility, a dive into another realm – a pull into the Eye of the Storm. The eye is a region of mostly calm weather at the center of strong tropical cyclones, and through sounds, John Burchman, expresses a deep meditation of fulfilling low tempo frequencies, a whirlwind of cloud hypnotization. Clear and light sounding extraterrestrial communication reveals futuristic visions of new-world change, enlightened transformations, and exploration of versatility.  Versatility of production is rare, and when a product of rarity is illuminated, full-depth creativity is expressed giving the creator a sense of forward thinking and acceptance of change as important factor in culture in many fields of life- Psymbionic has done that with Eye.

Eye consists of 5 auditory chill out portals: “One Thing” ft Cristina Soto,”How Am I Not Myself” ft. Govinda, “S ilkscreen” ft. Soulular, “Sonder” ft. The Digital Connection, & “Silkscreen ( ill-esha remix ). One Thing ft. Cristina Soto is downtempo galore, a future chill trap experience ready to sooth your ear pineals.  Psymbionic’s rhythmic future bass composition and fluidity blends passionately with Cristina Soto’s mesmerizing vocals as she touches your heart chakra with her deeply thought lyrics, an angelic escapade.  How Am I Not Myself ft. Govinda is initiated by Govinda’s sensual frequencies resonating from string instrumentation of the violin.  High-pitched synthesizer and a lively melodic tempo on Psymbionic’s behalf symmetrically syncs up in addition, and a spacey future garage atmosphere is present.  This tune calmly sooth your present state of mind and will unblock passages of a forgotten memory.

Silkscreen ft. Soulular is a co-production between the two, a chill-step portal, a swim into infinity, a closer pull into the eye of the storm.  Souluar’s organic sound composition and spacey sounding downtempo dubs mesh well with Psymbionic’s signature melodic uplifts and glitch/bass exposure, this is the creation of two soulful producers joining forces.  Sonder ft. The Digital Connection is a spacey chill tale into the unknown, an epiphany within an epiphany.  This is a future bass mystery waiting to be revealed and is felt within electronica ambience.  Psymbionic’s signature sounds can be heard sporadically thoughout the tune, and a deep rhythmic glitch fusion of The Digital Connection follows through creating a liquid groove.  Silkscreen remixed by ill-esha is a glitch masterpiece full of limitless synth frequencies and melodies.  She produces a re-occurring glitch pattern which gives it a mind of its own, it’s a distinction of rarity illuminating the original production, an aftermath of chills down your spine.

Submerge into the eye of the storm and prepare for a lift-off into explorations of the sounds and tempos of the universe and beyond.  Psymbionic reveals a downtempo/chill side to his music production in variation and style.  Not only does he create variety in Part 2 of “Parallels”, but also a variety of styles  and collaborations of accomplished vocalists, instrumentalists, and producers.  John Burcham is a driven force of light that isn’t afraid to explore other dimensions of sound frequencies, a creative and fresh outlook.  Like a thread weaving together with other threads, and like sacred geometrical patters coming together, a flowing towards a creation of warmth is revealed as Psymbionic weaves sounds, textures, and rhythms together. This results in the creation of pulsating and radiating sounds meant to trigger brainwaves, and therefore release and cleanse energies, a fresh feel of relief.  The fact that this was written, mixed, AND mastered by John himself amazes me. As AfroMonk himself likes to put it, Keep it Fresh.

Join the Gravitas crew this Saturday, July 5th at plug.dj‘s “Just A Chill Room” for Psymbionic’s DIGITAL album release party & Q&A! 

Listen/Download “Eye”: Parallels (Part 2: Eye) by Psymbionic

 

Category: Downloads, Downtempo, Dubstep, Glitch Hop, Music, Reviews, Uncategorized | commie No Comments »

Keese | Panamint Chalice [MalLabel Music] | AfroMonk.com Exclusive

time July 1st by amalgamation23 authorTags: , , , , , , , , ,

Keese releases “Panamint Chalice” on San Francisco’s own MalLabel Music, and it’s a futuristic slow-motion tale of the mixture of genres, of purple bass infused Glitch-Hop wonders from the northern bay of Arcata, California.  West Coast Bass is an adventure of its own, just like a culture of the unknown experience of exploration.  This young producer is not afraid to take risks as he will continue to experiment and bring forth luminous rays of full-spectrum energy meant to ignite the possible.  Like super powers, these sound frequencies will produce rapid change and flashbacks, de-ja vu, psychic-abilities.  I hope your ear pineals, and your mind’s eye are ready for an experiment of psytrap, 808’s, and sub trips, psychedelic epiphanies through auditory sense.  Pick up your chalice glass and fill it up with a taste of your choice, I prefer clear liquid H20, and let these liquified sounds trigger a festive thought.

“Panamint Chalice” consists of 5 sound experiments sure to invoke invisibility, experience slow-motion effects, and time control – re-appearance into a different side.  These experimental creations are entitled, “Hot Curls”, “Panamint Chalice”, “Love Yourself”, “Less is More”, and “Bonkers”.  Hot Curls is a slow-motion step back, then 10 more steps forward into glitch fusion, and twirl of eerie crescendos of blended 808 beat and melodic freshness.  Panamint Chalice is a proper occasion.  An appropriate glitch stutter.  A groovy mid-tempo whomp, a rhythmic 808 laser illumination beats created to invoke change, like that of a chameleon.

Love Yourself is an electronic upbeat first sparked by 808 feel, and continuous balanced beat of signature “drops”.  Except they’re not “drops”, because they mesh well next to the prior soundscape, it’s more like a smooth twist of intelligent exposure of a new structured development of love.  Less is More opened up a new wave of energy that sparked past-life inspiration.  Intricate and delicate, yet powerful composition can be both felt and heard.  A theme of fading effects mesh well with what sounds like alien atmospheric callings, from under the ocean and up into space, that’s some psytrap for you.  Bonkers is a game of elegance meets chill, a coming of two worlds bound to cause technicolor bass whirlwinds of triggers.

Panamint Chalice is a boom of silver and gold minerals and psytrap trinkets found in a ghost town.  Keese’s creation of sound experimentation is definitely fresh, I’m very stoked to see his future projects.  He’s developing a rare sound in the West Coast Bass scene and isn’t afraid to express creations developed in his lab. Bass and Glitch Melodic encounters will sooth your brain waves, and blast you off into otherwordly sonic space sunset. Let these sound causations of realizations explore freshness. Here’s a free download of “Hot Curls”.

Listen Here: Panamint Chalice by Keese

Free Download of “Hot Curls”:

 

Category: Afro Monk Exclusives, Downloads, Glitch Hop, Mid Tempo, Music, Psychedelic, Reviews, Uncategorized | commie No Comments »

Kaminanda | Liminal Spaces [Merkaba Music]

time June 28th by amalgamation23 authorTags: , , , , ,

Kaminanda (of Re: Evolution booking) released “Liminal Spaces” on June 17th, 2014 on a forth moving conscious label based in Australia – Merkaba Music. Liminal Spaces is a journey into the nearest distant star and back into the future, it is a transition. A futuristic ancient ritual, a maze of the found, a blanket of stardust, a discovery of a universe, a foreshadow of the unthinkable. I’ve had the pleasure of catching Kaminanda’s sets multiple times since my discovery of his blessed sound-waves at Sonic Bloom 2012, and I will continue to do so. I befriended him one year later at my friend Kati’s (Hibri Designs) birthday party in San Antonio, TX and was brought to life as he sprinkled glitter sparkles on my forehead. His live performances and stellar dance moves are magically uplifting as they will leave you in a transcendent state where time is forgotten, and the mind will become more clear as his deep psychedelic dubs and organic yet tribal journeys will breeze in through you leaving you feeling fresh and in an awakened state. Shout out to Francis Mckeon for the breathtaking artwork!

This uplift of audible soothingness consists of seven lengthy spiritually galactic cosmic wonders: “Moment to Moment”, “Elements”, “Opal Eyez”, “Empathic Spaces”, “Mystery School”, “The Jade Palace”, and “Euphoric Stillness”.  Moment to Moment is initiated by a crescendo of melodic glare accompanied by drum and snare. A symphony of differentiating auditory drum composition which tell a story of the importance of every moment to moment, and each journey within it felt through glitch twirls.  Elements is a tropical dreamscape of nature bird calls wrapped in psychedelic whomps. Each beat gives light to the next making it a heart-felt moment to treasure accompanied by vocals by Atreyu Harvest Moon. Opal Eyez has a very lively melodic feel to it with plenty of tribal instrumentation which fade in and out. Are you ready for a drive into infinity? Glitch frequencies illuminate a different feel, making it an unforgettable tale which teleports me into the eyes of the Opal, the national gemstone of Australia.  Empathic Spaces has an organic galactic sound to it, gentle whomps blend well with the rhythmic downtempo sensual vibes. Bright future for endless possibilities.

Mystery School is an upbeat psychedelic journey. Atmospheres and landscapes full of organic tempos create visions of lively heart beats. Tribal theme sounding melodies and brass instrumentation will bring forth energies meant to heal.  The Jade Palace is deep mystical glitch hop space heaven initiated by Buddhist gongs, bells, and chants. The melody and beat to this tune is nourishing and oriental-esque, and will ignite new dance moves. Welcome to The Jade Palace.  Euphoric Stillness is glitch euphoria at its finest. Feels of downtempo wonders will enter your brain waves, and spiritual water glitch wurbbles will clear passages and expand breakthroughs, creating a deep shamanic ritual cleanse.  The incorporation of  Gemma Luna’s voice adds to the heavenly feels of this magical tune.

Kaminanda is a spiritual shamanic sound guide who wants to show you possibilities of not only endless dimensions, but of endless encounters in spaces. Composed of sacred geometrical alignments, this alien being will ignite fresh new beginnings within you. With “Liminal Spaces”, he will create deep dub psychedelic realms and tribal glitch frequencies full of wonders that will ultimately open the mind’s eye. Yes, the third eye – the gateway to higher levels of consciousness.  He’s hit countless festivals and performances this summer and will continue to do so. He will be at The Parish here in Austin, TX on Friday, July 11th, so be sure not to miss an uplifting experience sure to create an experience within itself.

LISTEN HERELiminal Spaces by Kaminanda

Category: Downtempo, Events, Glitch Hop, Music, News, Psychedelic, Reviews, Uncategorized | commie No Comments »

kLL sMTH | Telescopic Future

time June 18th by amalgamation23 authorTags: , , , , ,

kLL sMTH (of Majestic Entertainment) released “Telescopic Future” on Addictech.com this past Monday, June 16th. This 4-track album is future glitch-hop at its finest as these labyrinthine triggers and designs of forthcoming sounds will sooth you as a whole, both mentally and physically, it’ll bring forth a Telescopic Future. Kristoffer Edland, a Loveland, Colorado native, has been producing music for nearly six years now. I discovered kLL sMTH’s glitch soundscapes in 2012 as a friend introduced me to him and soon after I experienced a fresh live set at a small gathering in Austin, TX we held a couple months later called Alloveus. These frequencies from outer space are designed to take you far beyond a galactic future, a place of the unimaginable. These sounds create a crystalline structure, they tell the story of growth, an evolution of sound, an innovative mindset, illumination of change.

“Telescopic Future” consists of four well-crafted auditory glitch hop cosmos sure to clear and cleanse: “Oragami Peanut”, “Transcendent Delusion”, “Telescopic Future”, & “Katzenjammer”. “Oragami Peanut” is an art of sound which foreshadows the rest of the album. Like an Origami, it reveals jaw dropping technique and design, an ethereal escape full of glitch and whomps, which blend symmetrically and rhythmically within the illuminations of lively melodies. “Transcendent Delusion” is a mystical dream escape, a dream within a dream, a step into a reality check and back into an ancient-alien pyramid; full spectrum. This downtempo, glitch-ed out delight is very luscious with fresh vibes. “Telescopic Future” took me on a parallel dimension, its organic frequencies will enter your being and leave you feeling refreshed as in the aftermath of a spiritual psilocybin journey. Soothing flute-esque instrumentation will relax your brain waves. “Katzenjammer” is an otherworldly crystal quartz. A never ending sonic sunset of kaleidoscopic glitch twirls for your ear pineals. Elegant and driven composition in effect.

Keep your eyes pealed, and wide opened for kLL sMTH as he is turning heads in the electronica glitch-hop community. His soundscapes mesh very well with that of Tipper’s vibe, a limitless technicolor imagination of glitch wonders enabling telepathic sound communication. From having played countless festivals and shows in the Mid West, West, and South, and having past releases on Simplify Recordings, Muti Music, and Prime Dub, he is, without a doubt, gaining a rapid momentum. Kris is really an innovator thinker when it comes to producing music. Each melody creates its own story, it’s like he’s fitting the pieces together to a seemingly endless experience, it’s like he’s communicating with aliens.

Telescopic Futurehttp://www.addictech.com/p/161051

Category: Downtempo, Glitch Hop, Mid Tempo, Music, Reviews, Trip-Hop, Uncategorized | commie No Comments »