My Pet Monster releases his solo debut, New Age Gangster, on MalLabel Music earlier this summer and it’s a “cinematic dubstep” extravaganza of many moods and eras. From Electro Swing to Hip Hop, this Ghetto Swing feel will have you swerving and feeling groovy, hop on the 1930’s millennium swing-hop. West Coast feels will regress you 3 generations down while remaining in present day flavor and flow. Ryan Summers resides in San Francisco, California and has been focused on the creation of this new sub-genre of electronic music. Artwork by Sparkuhl on the album art is very original, and brings in visuals that are in sync to the title: New Age Gangster. Adding to the album art cover, a pet monster is revealed next to six symmetrical women figures with a 30 – 40’s look. A new age of reaffirming the impossible, a mixture of sounds never thought possible, has come into a reality state. Classic sounds blended with present-day glitch and bass make it a journey of its own.
New Age Gangster consists of 3 original productions including incorporation of soulful vocals, and 3 remixes of the originals: New Age Gangster, When I Get Low I Get High, Baton Rouge Bounce, and remixes include:“New Age Gangster” by Samples,and “Baton Rouge Bounce” by Defunk andTimmy Tutone. “New Age Gangster” kicks off with mid tempo snare, and a momentum of rhythm accumulates, while whistles blend in the mix. Piano and brass instrumentation giving off a danceable beat. Woodwinds can sporadically be heard and the production of glitch hop squelches and future bass make it a unique creation. Combination of two opposing worlds mixing freshly. When I Get Low I Get High, is full of an upbeat tempo and female vocalizations of old-school swing music, with fine creation of sound design of bubble wurbbles and twists of lasers. Saxophone and snare give the swing a full effect, break down your best dance move, as the title suggests the style of swing dance.
Baton Rouge Bounce definitely has a southern touch to it. The track initiates with a banjo crescendo that foreshadows a steady swing, and old-school breaks. A very melodic swing vibe is present, with additions to well thought out glitch patterns. New Age Gangster remixed by Samples reveals his signature glitch-hop style filled with hard hitting bass lines – a crunk effect that will leave you feeling like the sound of lightning bolts striking. Very rhythmic composition blends well between the genre of My Pet Monster and his. Baton Rouge Bounce remixed by Defunk has initial piano key notes and saxophone instrumentation by My Pet Monster which is then meshed with incorporation of deep male vocals. Soon, Canadian producer, Defunk, crescendos an upbeat vibe full of glitch and funky and melodic bass beats for the rest of the track to follow. Baton Rouge Bounce remixed by Timmy Tutone adds in 808 explorations and a smooth feel, a future sound that is pleasant to the ear pineal.
The development of American “Swing” music in the 1930’s is back with a twisted and glitch-ed out vibe. My Pet Monster isn’t afraid to make his ideas an innovation, as this cinematic dubstep and glitch producer has shown in his first solo release. Tagging along to his creation, three well-respected bass and glitch producers joined in on the mix exposing endless support for his style with their own unique taste. I’m excited to see My Pet Monster continue to grow as an artist, especially after a release with a well-known established label. MalLabel continues to hit high charts as they will continue to expose artists and producers such as My Pet Monster. If you’re in the West Coast, be sure to catch artists branching out of this label the best way possible: LIVE.
Zebbler Encanti Experience released Freakquency on Gravitas Recordings on July 15th 2014, and it’s a gateway of vivid expansion of the mind made possible through twisted and thought-provoking mixed genre sound frequencies in a newly formed imagination. Zebbler Encanti Experience is a psychedelic twist within itself, an audio-visual journey seen through the mind’s eye, triggered through auditory and sensory of high frequencies vibrating in multiple directions, as molecules of sound being presented in the most freaky instances. Encanti is the mastermind behind the psytrap/bass/glitch/electro sound design, production, and mastering of the audio sense, while Zebbler projects mind-bending visuals, a futuristic foundation of visible uplifts. In his past, Zebbler has collaborated with the EOTO & Shpongle for visual enhancement, both having high experience and intellect of association in their field. This kaleidoscopic representation of sound will take you on a roller-coaster blast into infinity. Is there anything more psychedelic and twisted than the Shpongle crew? This album will reveal a new sound-universe, and bizarre visuals as seen in the “Freakquency” Video ; the embodiment new-age advancement of next level thinking and experimentation.
Freakquency consists of 5 psychedelic ventures of their own: “Perceptronium”, “Follow the Bubble”, “Neuron Dialect”, “Frequency”, & “Immediacy ft. Ganavya”.Perceptronium is the idea that human consciousness is simply a state of matter, the idea that there are many types of matter (solids, liquids, gases), as there are many types of consciousness. Through sound experimentation, Encanti fuses unimaginable genre-bending impossibilities and strategies of glitch sound filled with fluidity to create a unique audio experience. Psychill patterns immediately blend into an upbeat electro high-frequency and warps a back-flip in your mind and dives into a mid-tempo dubstep atmospheric relief and repeat. Follow the Bubble is like a video game full of speed and action, a psytrance feel. It’s like mouse-trap – except through sound, I’d describe it as psytrap. This mixture will make your heart race, it’ll give you electro energy, glitch-hop swerve, and chill trap 808 dub grooves.
Neuron Dialect is mystery waiting to be revealed. Synthesizers and glitch frequencies mesh well to create an uplifting auditory experience. Electronic bass feels and clicks make it a never-ending soundscape, a continuous blending of neuron activity running through a psilocybin experience. Freakquency is psytrance at its peak, a multitude overload of freak-dance moves revealed through pupil-dilation, a Clock-Work Orange effect. Midway, a bubble of glitch-induced beats pour out like laser rain drops. Marching wurbbles and ziggles and inventions of all sorts take place in multiple instances such as reversing, fast-forwarding, ultimately creating and twisting sounds and distorted hip-hop lyrical “Freakquency” voice tones which can be heard sporadically. Immediacy ft. Ganavya is a chill step vibe of groovy encounters. A thousand sound thoughts per minute have slowed down the effect full of glitch patterns from the previous tracks and it reveals a chill out yet melodic atmosphere fused with deep-bass lines .
Zebbler Encanti Experience is a creation of sound advancement in the most inventive combinations of psychedelic triggers I have yet heard. Steaming from having past collaborations with EOTO and Shpongle, the Zebbler Encanti Experience will reveal a fear-less creation of sound exploration and will lift you to another dimension. They’ve been hitting a U.S.A. Summer Tour reaching multiple cross-country states, and the next stop is Burning Man, so if you’re going, be sure to catch them there next. This Gravitas Recordings release adds to the glory of their experience, both outlets incorporate diversity in their projects, always on the next level, always pushing and searching for the most fresh sounds. I’m eager to follow this duo more that is sure to surprise with their upcoming projects, you thought this was a crazy and new-found experience? I’m sure they have further ground-breaking projects of sound and visual mappings planned out for future releases, excited to see where these forward-thinking innovators will take us with experimentation of all levels.
Psymbionic releases Part 2 of “Parallels” [Eye], on Gravitas Recordings on July 1st, 2014. This second part of “Parallels” explores a parallel genre to that of a heavier bass influenced feel for Part 1. It revels an atmospheric creation of downtempo/chill feels, an experiment that illustrates Psymbionic’s versatility, a dive into another realm – a pull into the Eye of the Storm. The eye is a region of mostly calm weather at the center of strong tropical cyclones, and through sounds, John Burchman, expresses a deep meditation of fulfilling low tempo frequencies, a whirlwind of cloud hypnotization. Clear and light sounding extraterrestrial communication reveals futuristic visions of new-world change, enlightened transformations, and exploration of versatility. Versatility of production is rare, and when a product of rarity is illuminated, full-depth creativity is expressed giving the creator a sense of forward thinking and acceptance of change as important factor in culture in many fields of life- Psymbionic has done that with Eye.
Eye consists of 5 auditory chill out portals: “One Thing” ft Cristina Soto,”How Am I Not Myself” ft. Govinda, “S ilkscreen” ft. Soulular, “Sonder” ft. The Digital Connection, & “Silkscreen ( ill-esha remix ). One Thing ft. Cristina Soto is downtempo galore, a future chill trap experience ready to sooth your ear pineals. Psymbionic’s rhythmic future bass composition and fluidity blends passionately with Cristina Soto’s mesmerizing vocals as she touches your heart chakra with her deeply thought lyrics, an angelic escapade. How Am I Not Myself ft. Govinda is initiated by Govinda’s sensual frequencies resonating from string instrumentation of the violin. High-pitched synthesizer and a lively melodic tempo on Psymbionic’s behalf symmetrically syncs up in addition, and a spacey future garage atmosphere is present. This tune calmly sooth your present state of mind and will unblock passages of a forgotten memory.
Silkscreen ft. Soulular is a co-production between the two, a chill-step portal, a swim into infinity, a closer pull into the eye of the storm. Souluar’s organic sound composition and spacey sounding downtempo dubs mesh well with Psymbionic’s signature melodic uplifts and glitch/bass exposure, this is the creation of two soulful producers joining forces. Sonder ft. The Digital Connection is a spacey chill tale into the unknown, an epiphany within an epiphany. This is a future bass mystery waiting to be revealed and is felt within electronica ambience. Psymbionic’s signature sounds can be heard sporadically thoughout the tune, and a deep rhythmic glitch fusion of The Digital Connection follows through creating a liquid groove. Silkscreen remixed by ill-esha is a glitch masterpiece full of limitless synth frequencies and melodies. She produces a re-occurring glitch pattern which gives it a mind of its own, it’s a distinction of rarity illuminating the original production, an aftermath of chills down your spine.
Submerge into the eye of the storm and prepare for a lift-off into explorations of the sounds and tempos of the universe and beyond. Psymbionic reveals a downtempo/chill side to his music production in variation and style. Not only does he create variety in Part 2 of “Parallels”, but also a variety of styles and collaborations of accomplished vocalists, instrumentalists, and producers. John Burcham is a driven force of light that isn’t afraid to explore other dimensions of sound frequencies, a creative and fresh outlook. Like a thread weaving together with other threads, and like sacred geometrical patters coming together, a flowing towards a creation of warmth is revealed as Psymbionic weaves sounds, textures, and rhythms together. This results in the creation of pulsating and radiating sounds meant to trigger brainwaves, and therefore release and cleanse energies, a fresh feel of relief. The fact that this was written, mixed, AND mastered by John himself amazes me. As AfroMonk himself likes to put it, Keep it Fresh.
Join the Gravitas crew this Saturday, July 5th at plug.dj‘s “Just A Chill Room” for Psymbionic’s DIGITAL album release party & Q&A!
Keese releases “Panamint Chalice” on San Francisco’s own MalLabel Music, and it’s a futuristic slow-motion tale of the mixture of genres, of purple bassinfused Glitch-Hop wonders from the northern bay of Arcata, California. West Coast Bass is an adventure of its own, just like a culture of the unknown experience of exploration. This young producer is not afraid to take risks as he will continue to experiment and bring forth luminous rays of full-spectrum energy meant to ignite the possible. Like super powers, these sound frequencies will produce rapid change and flashbacks, de-ja vu, psychic-abilities. I hope your ear pineals, and your mind’s eye are ready for an experiment of psytrap, 808’s, and sub trips, psychedelic epiphanies through auditory sense. Pick up your chalice glass and fill it up with a taste of your choice, I prefer clear liquid H20, and let these liquified sounds trigger a festive thought.
“Panamint Chalice” consists of 5 sound experiments sure to invoke invisibility, experience slow-motion effects, and time control – re-appearance into a different side. These experimental creations are entitled, “Hot Curls”, “Panamint Chalice”, “Love Yourself”, “Less is More”, and “Bonkers”. Hot Curls is a slow-motion step back, then 10 more steps forward into glitch fusion, and twirl of eerie crescendos of blended 808 beat and melodic freshness. Panamint Chalice is a proper occasion. An appropriate glitch stutter. A groovy mid-tempo whomp, a rhythmic 808 laser illumination beats created to invoke change, like that of a chameleon.
Love Yourself is an electronic upbeat first sparked by 808 feel, and continuous balanced beat of signature “drops”. Except they’re not “drops”, because they mesh well next to the prior soundscape, it’s more like a smooth twist of intelligent exposure of a new structured development of love. Less is More opened up a new wave of energy that sparked past-life inspiration. Intricate and delicate, yet powerful composition can be both felt and heard. A theme of fading effects mesh well with what sounds like alien atmospheric callings, from under the ocean and up into space, that’s some psytrap for you. Bonkers is a game of elegance meets chill, a coming of two worlds bound to cause technicolor bass whirlwinds of triggers.
Panamint Chalice is a boom of silver and gold minerals and psytrap trinkets found in a ghost town. Keese’s creation of sound experimentation is definitely fresh, I’m very stoked to see his future projects. He’s developing a rare sound in the West Coast Bass scene and isn’t afraid to express creations developed in his lab. Bass and Glitch Melodic encounters will sooth your brain waves, and blast you off into otherwordly sonic space sunset. Let these sound causations of realizations explore freshness. Here’s a free download of “Hot Curls”.
Kaminanda (of Re: Evolution booking) released “Liminal Spaces” on June 17th, 2014 on a forth moving conscious label based in Australia – Merkaba Music.Liminal Spaces is a journey into the nearest distant star and back into the future, it is a transition. A futuristic ancient ritual, a maze of the found, a blanket of stardust, a discovery of a universe, a foreshadow of the unthinkable. I’ve had the pleasure of catching Kaminanda’s sets multiple times since my discovery of his blessed sound-waves at Sonic Bloom 2012, and I will continue to do so. I befriended him one year later at my friend Kati’s (Hibri Designs) birthday party in San Antonio, TX and was brought to life as he sprinkled glitter sparkles on my forehead. His live performances and stellar dance moves are magically uplifting as they will leave you in a transcendent state where time is forgotten, and the mind will become more clear as his deep psychedelic dubs and organic yet tribal journeys will breeze in through you leaving you feeling fresh and in an awakened state. Shout out to Francis Mckeon for the breathtaking artwork!
This uplift of audible soothingness consists of seven lengthy spiritually galactic cosmic wonders: “Moment to Moment”, “Elements”, “Opal Eyez”, “Empathic Spaces”, “Mystery School”, “The Jade Palace”, and “Euphoric Stillness”. Moment to Moment is initiated by a crescendo of melodic glare accompanied by drum and snare. A symphony of differentiating auditory drum composition which tell a story of the importance of every moment to moment, and each journey within it felt through glitch twirls. Elements is a tropical dreamscape of nature bird calls wrapped in psychedelic whomps. Each beat gives light to the next making it a heart-felt moment to treasure accompanied by vocals by Atreyu Harvest Moon.Opal Eyez has a very lively melodic feel to it with plenty of tribal instrumentation which fade in and out. Are you ready for a drive into infinity? Glitch frequencies illuminate a different feel, making it an unforgettable tale which teleports me into the eyes of the Opal, the national gemstone of Australia. Empathic Spaces has an organic galactic sound to it, gentle whomps blend well with the rhythmic downtempo sensual vibes. Bright future for endless possibilities.
Mystery School is an upbeat psychedelic journey. Atmospheres and landscapes full of organic tempos create visions of lively heart beats. Tribal theme sounding melodies and brass instrumentation will bring forth energies meant to heal. The Jade Palace is deep mystical glitch hop space heaven initiated by Buddhist gongs, bells, and chants. The melody and beat to this tune is nourishing and oriental-esque, and will ignite new dance moves. Welcome to The Jade Palace. Euphoric Stillness is glitch euphoria at its finest. Feels of downtempo wonders will enter your brain waves, and spiritual water glitch wurbbles will clear passages and expand breakthroughs, creating a deep shamanic ritual cleanse. The incorporation of Gemma Luna’s voice adds to the heavenly feels of this magical tune.
Kaminanda is a spiritual shamanic sound guide who wants to show you possibilities of not only endless dimensions, but of endless encounters in spaces. Composed of sacred geometrical alignments, this alien being will ignite fresh new beginnings within you. With “Liminal Spaces”, he will create deep dub psychedelic realms and tribal glitch frequencies full of wonders that will ultimately open the mind’s eye. Yes, the third eye – the gateway to higher levels of consciousness. He’s hit countless festivals and performances this summer and will continue to do so. He will be at The Parish here in Austin, TX on Friday, July 11th, so be sure not to miss an uplifting experience sure to create an experience within itself.
kLL sMTH (of Majestic Entertainment) released “Telescopic Future” on Addictech.com this past Monday, June 16th. This 4-track album is future glitch-hop at its finest as these labyrinthine triggers and designs of forthcoming sounds will sooth you as a whole, both mentally and physically, it’ll bring forth a Telescopic Future. Kristoffer Edland, a Loveland, Colorado native, has been producing music for nearly six years now. I discovered kLL sMTH’s glitch soundscapes in 2012 as a friend introduced me to him and soon after I experienced a fresh live set at a small gathering in Austin, TX we held a couple months later called Alloveus. These frequencies from outer space are designed to take you far beyond a galactic future, a place of the unimaginable. These sounds create a crystalline structure, they tell the story of growth, an evolution of sound, an innovative mindset, illumination of change.
“Telescopic Future” consists of four well-crafted auditory glitch hop cosmos sure to clear and cleanse: “Oragami Peanut”, “Transcendent Delusion”, “Telescopic Future”, & “Katzenjammer”.“Oragami Peanut” is an art of sound which foreshadows the rest of the album. Like an Origami, it reveals jaw dropping technique and design, an ethereal escape full of glitch and whomps, which blend symmetrically and rhythmically within the illuminations of lively melodies. “Transcendent Delusion” is a mystical dream escape, a dream within a dream, a step into a reality check and back into an ancient-alien pyramid; full spectrum. This downtempo, glitch-ed out delight is very luscious with fresh vibes. “Telescopic Future” took me on a parallel dimension, its organic frequencies will enter your being and leave you feeling refreshed as in the aftermath of a spiritual psilocybin journey. Soothing flute-esque instrumentation will relax your brain waves. “Katzenjammer” is an otherworldly crystal quartz. A never ending sonic sunset of kaleidoscopic glitch twirls for your ear pineals. Elegant and driven composition in effect.
Keep your eyes pealed, and wide opened for kLL sMTH as he is turning heads in the electronica glitch-hop community. His soundscapes mesh very well with that of Tipper’s vibe, a limitless technicolor imagination of glitch wonders enabling telepathic sound communication. From having played countless festivals and shows in the Mid West, West, and South, and having past releases on Simplify Recordings, Muti Music, and Prime Dub, he is, without a doubt, gaining a rapid momentum. Kris is really an innovator thinker when it comes to producing music. Each melody creates its own story, it’s like he’s fitting the pieces together to a seemingly endless experience, it’s like he’s communicating with aliens.
Art of Fact releases his first release, “Bodies of Water”, on MalLabel Music today, Tuesday, June 10th. Taylor Willis is a glitch hop and psy dub producer based in the West Coast, more specifically Eugene, Oregon. He comes from a background full of classical and jazz instrumentation from early on in his childhood, as early as 12 years old. Art of Fact’s “Bodies of Water” will take you on a liquid journey through textures and rhythms deep within his sacred being that will arise frequencies of deep blue energies taken from the depths of the Ocean, the depths of the unknown sought to rejuvenate, cleanse, and invoke the third eye. Mysteriously weaving and blending sonic waves of beaming escapes and triggers, Art of Fact develops a chill sound soaked with emotion, truth, and visibility. These futuristic yet ancient grooves will leave you feeling liquified, consciously clear and will freshen you up. Spirals and twists of thoughts and questions will light up through sonic glitches and bass whomps directed to think outside the box, to read between the lines.
“Bodies of Water” consists of 5 original tracks: Liquid Dreams, Moonshine Showers, Rasta Rain, Velvet Dew Drops, and Charco, and 3 remixed versions of “Velvet Dew Drops” by Bless the A.M. Remix, Devin Kroes, & SOULULAR. “Liquid Dreams” is glitch hop heaven full of whomp depths and feels. It has a magical appeal to it, a very upbeat and rhythmic vibe full of beaming melodic beats that will vanish and re-appear giving the ultimate brain massage. “Moonshine Showers” is like an atmospheric venture into the oceans of the world, dives of exploration into the unknown discovering mystery and unraveling and unlocking myths. These discoveries are surrounded by an elegance of rhythm and unique composition of glitches and wurbbles which create an uplifting environment. “Rasta Rain” is like an ancient reggae groove full of proper hip-hop feels. These glitchy textures of waves and rains will ignite a cleansing effect, jah mon! “Velvet Dew Drops” slithers in next, a different body of water of 85 bpm is revealed assuring a quality of melodic perfection suited for deep meditation. This track will open up channels of luminous vibrations within you and those channels will reveal a sense of clarity, an acceptance to a new understanding that will ultimately direct new thought. “Charco” is a mysteriously brilliant glitch hop extravaganza that will awake and levitate new possibilities. Splashes and Squrbbles of glitch and crescendo sounds exists within this story. A journey into the caves of the depths of the oceans dedicated solely in finding emotion and staying in tune.
The last three tracks are remixes of “Velvet Dew Drops” by three West Coast Bass producers: Bless the A.M., Devin Kroes, & Soulular. “Velvet Dew Drops” remixed by Bless the A.M. has a tempo of 90 bpm and it’s a neuro funk rejuvenation of technological escapes. “Velvet Dew Drops” remixed by Devin Kroes drops to a 113 bpm feel of conscious melodic bass music that will uplift, twist, and magically transcend you into a new dimension full of rich bubbling bass soundscapes. “Velvet Dew Drops” remixed by Soulular took me into a phenomenal level of luminous yet sacred geometrical bass frequencies and sexy psychedelic vibrations that will produce chills down your spine.
Art of Fact is the truth and is in fact like an artifact, the real deal. This EP is full of thematic diversity composed of dreamscape vibes of reggae, hip-hop, and avant-garde jazz blended with glitches and psydubs. Remember to catch your breath as you’re about to enter depths of the unknown, a vivid world of new thoughts. Mysteriously intertwining textures through watery glitches, and alien-esque escapades, a new life of sound is found within bass wurrbles of water. A portal has been opened, as if you’re about to enter some sort of existence beyond outer space, a feels of unlimited epiphanies, an enlightenment.
Skytree (of Re:Evolution Booking) recently released “Cirrus Sapiens”, an invigorating ancient touch to the heart chakra whilst creating a balance of clear energy aligning within yourself. A magical and enticing story within a story that will ultimately reveal the truth has been created. It will open up hidden passages, reveal forgotten truths, and bring forth luminous cosmic energy through sky crystals and bass forests. Evan Snyder is an extremely driven and creative individual whom I’ve had the pleasure of meeting back in 2012 during a show in Austin, TX… a very genuine soul with outstanding performances. I’ve witnessed his sets twice in Austin, TX and he definitely creates an awesome experience. Skytree is playing at numerous festivals across the nation this summer, but I especially can’t wait for his set at one of my favorite festivals, Sonic Bloom, happening on June 19th – 22nd 2014 in SouthPark, CO for their 9th annual gathering this year. His creativity can be witnessed through the accomplished goal he set visible to the world on May 27, 2013. After his debut release of “Crystal Consciousnesss” on 11.11.11 and “Treemixes V1” on 12.12.12, his new collaborative album, “Cirrus Sapiens” (originally titled “Cloud People”), was set to be released independently later within the year, which was made possible through the help of his dedicated and loving fans whom contributed to his project via Indiegogo project. In return, such individuals would receive an abundance of awards and co-creations once complete. It would be released digitally, on CD, and on custom USB drives (including limited edition wire-wrap crystal pendents). Fast forward to NOW and a brilliant, uplifting soundscape has been fashioned. “Cirrus Sapiens” was created in collaboration with several guest producers and instrumentalists over the past two years, and it incited within me a sacred awakening – it sparked within me the will to create. It inspired me. This fresh album is composed of three separate, 4-track sections, each with their own story and vibe, ending in ambience. “A trilogy of EPs in one album”. Breathtaking artwork was created by Hayley Carloni and the mastering was done by Brendan Connors at Metronome Media Group’s Mastersuite Studio in NH. I hope you guys are ready for a spiritual and technological journey escape into a new universe full of energies composed of organic psydub and ambient sound frequencies which will bring forth an atmospheric environment full of sky crystals, bass forests, and linguistic brilliance – deep messages directed to create change.
“Cirrus Sapiens” is brought to light by the introduction track entitled “God Detector” featuring visionary artist and musician Michael Garfield. Dennis McKenna’s voice is initially heard inD.M.T: The Spirit Molecule’s DMT:RMX project: “Meditators and people on Soulacybin, people in various transcendent states of mind, you see the same parts of the brain are engaged…and, what is the meaning? What? Why is there a part of the brain that seems to be, for a lack of a better word, a “God Detector”, you know, What’s the evolutionary advantage to having some part of the brain that seems to trigger and mediate experiences of the transcendence?” Through this hearing, there is a heavenly and melodic sound resonating along with these philosophical words, a clear introduction being revealed through rhythmic textures of harmonic waves of ambience and future bass. A cloud of psychedelic lushness formation of “Sky Crystals” and “Bass Forests” is the theme of this track and the rest of the album to follow. This track brings me one with nature through the sounds of blue monkeys and moose – it brings me one with the universe (especially through Michael Garfield’s strumming of the guitar and ukulele). “Great Central Sun” smoothly channels next and it’s an amazonian gift composed of organic nature bird calls, flute instrumentation, and Skytree’s vocoder of the Hare Krishna mantra, a theological approach surrounding one’s original consciousness and goal of life to be pure love of “God (Krishna)”. “Jah Tah” features Esseks & Jemineye, and it blends rhythmically with the previously heard flow of mantras and psydub composition. A track composed of tribal sounds and bass beats by Esseks mixed with Navajo-esq maxims by Jemineye’s vocals that are meant to transcend you into a deep suited meditation. “Star Forest” ft. Space Jesus adds to the perfect touch to the ending of the first section of this album with it’s ambient ancient dubstep atmosphere. A very distinct drill of beats that are deep and soothing, and can especially be both heard and felt through the mesmerizing piano playing skills of Yoel B’nai Yehuda.
The second part of this album is illuminated through “Mana Machine” ft. Technicolor Lenses and Erothyme, and reveals a new theme. Future bass beats mixed with cooperative experimental lyrical hip hop flow and texture programming by Erothyme meant to spread a message, a powerful one. These next level flows blend very well with the dexterous guitar playing skills of Esseks. Was a new genre just invented? It’s like I have entered a celestial skyhop dimension filled with sacred energy, that can only be entered through progression within oneself: “Letting go of thought and tune into the waves of the heart space, everything in its right place.” “Cloud People” features the vocals and dazzling electric bass of Skytree’s brother, Alan Snyder. This collaborative effort has created a feels of ambience air, a whirlwind of deep-felt energy radiating from the ground, through textures of the trees in forests, veins of the leaves, and soon after an uplift into the clouds of the sky and beyond. Cello instrumentation by Katherine S An adds to the tranquilizing feels of these tuning frequencies. “Unstoppable Soldiers” ft. Waters has very potent lyrics, it speaks truths about being open about feeling exasperated. These deep lyrical feels create an intention to go beyond the impossible, an unstoppable identity. Skytree’s signature bass also feels deep truths and opens up passages to the unknown. Ending the “second section” of Cirrus Sapiens, is “Distant Song of Earth” featuring AJ Block unifies and wraps it all up. You can initially feel deep ambient and psybass frequencies suited fo deep meditation…it’ll levitate you as it takes you to yet another unimaginable dimension, it’s like I’ve entered a known galactic space satellite venture from a past life.
The third part of Cirrus Sapiens begins a new journey through “Record Keeper” featuring Tectum, a psychedelic producer. The collaboration of Skytree’s ambient yet future bass beats and skydubs mixed with Tectum’s production skills brings a creative product of formation. Some skytrance and treedubs for your mind, body, and soul. Additional drum machines by HEISS and Skytree’s strings add a glowing touch tied with singing bowls, hermit thrush and doves. “Skycell ft. LuneCell produced in collaboration consists of ambient psydub textures and squelches. Bell sounding illumination creates a bubbles of ever-changing tempos and frequencies which in turn give light to new psychedelic escapes. “Hexeract” ft. Supersillyus & D.V.S* is an ancient doozy consisting of breaks and cooperative programming of blips and bass by Supersillyus. D.V.S* adds ambient energy through his masterful guitar skills which build unique sound waves that mesh well with other elements such as trippy vocals. “Magellanic Stream” ft. Laura Karuna is the last song of the third chapter, and the ending of this concept album. It reaches an exosphere knowing, a paradisaical outlook which is made visible by angelic sounding drones accompanied by quotes taken from DMT:RMX – The Spirit Molecule Remix Project.
“Cirrus Sapiens” will take you on a spiritual escape into a sacred geometrical atmospheric landscape full of Sky Crystals and Bass Forests. It will channel numerous escapes into endless dimensions through psydub, skyhop, and treedub frequencies. Each chapter tells a story of its own and creates a connection within your higher self, it almost leaves one hypnotized. An awareness of the importance of clearing of the mind, body, and spirit is the theme of the entire album, a message to be spread. Take 55:55 minutes of your presence to feel a connection to our cosmic truth that exists within ourselves and our universe. A known past that lies within you will be brought to light. We are all connected, we are all one. Skytree is definitely breaking through his music journey as he continues to explore sounds within sounds from within, from his own Shamanic being. Thank you Skytree and everyone involved in this project.
Blunt Force has reFunked Warp9’s track “It Ain’t Right” and let me tell you something, it’s fresh as funk! Brian Gustafson is definitely a Texas favorite as he blends electro-soul funk with mesmerizing glitchy basslines that will leave you feeling groovy. A prominent member of the Philos Records family, he incorporates a live electric guitar during his future funky fresh and glitchy sets, creating a euphoric atmosphere of extraordinary audible and visual sensory enhancement and experience. With having recently released a spankin’ new EP, “A Brighter Tomorrow“, Brian is on a quest of continual discovery and is gaining momentum within the music industry, so look out for him!
His remix of “It Ain’t Right” is the perfect feel for the summer as it consists of an uplift full of continual technicolor crescendos mixed in with funk instrumentation of the trumpet and his dexterous guitar playing sequences. Followed throughout the track is a very rhythmic magical touch of glitch hop heaven and soothing deep bass drops. He does a pristine job of building the momentum and letting loose at the most unexpected yet perfect timings. I’m a believer of feeling rejuvenated and vibrant and this track is the perfect example of lifting me up on that level.
This is just the beginning for this young and artistic producer currently residing in Austin, Texas. Not only is his music so uniquely crisp, but he’s full of good vibes and is always down for a good time with friends. Want to catch him live soon? Well you’re in luck! He will be performing at Summer Camp Festival this Memorial Day weekend, May 23rd-25th and soon after at WAKARUSA on June 5th – 8th!
Merkaba Music Record Label, which is an eclectic, original sound which represents an awakening of experimental music on our planet, released its latest compilation, “Resonant Mind” on May 5th, all of which was compiled by Kalya Scintilla, a member of Re:Evolution Booking. Let’s rewind a little bit, Merkaba Music is based in Australia and came to light on October 2012 with intention and focus on “The Merkaba”, which is a crystalline energy field that is comprised of specific sacred geometries that align the mind, body, and heart together – it is the divine light vehicle allegedly used by ascended masters to connect with and reach those in tune with the higher realms. “Resonant Mind” marks its 17th release and this compilation is definitely worth 87.35 minutes worth your time and presence. Picture it as a universal gift, a sound wave that will uplift and nourish your mind, body, and soul. “Resonant Mind” consists of 15 original organic yet glitch-ed out and psychedelic tracks by various artists including: “Awakening World” by Expedizion & Sixis, “To And Afro” by Mr. Squatch, “Magic Touch” by Master Minded, “Jerry’s Dream” by Somatoast, “Perihelion” by Living Light, “Kuru” by Occult, “Organic Architecture” by I Awake, “Through the Eyes of Time” by Globular, “Moonkaba” by Seamoon, “Annanika” by Itom Lab, “Cybrosion” by Bogtrotter, “Tendrils” by Ecometric, “The Dissolve” by Subaqueous, “Imaginary Lines” by Erothyme, and “Trambling Soul” by Mindex. I’m completely amazed by this compilation which is full of psychedelic dubs and sacred bass soundscapes felt in a downtempo and mid tempo setting. I was familiar with about 6 out of the 16 artists whom uphold similar views about the virtues of music, sound, and divinity from all over the world, and was very content in discovering new artists with such unique talent and depth.
The structure of this compilation is brilliant and blends very well together, this flow of meditation is initiated by “Awakening World”, a collaborationbetween Expedizion & Sixis which creates a fresh and clear introduction which is composed of an organic psychedelic atmosphere focused on tapping into your consciousness. You can then feel mesmerizing midtempo break beats wrapped in a warm, squishy, yet dubby funk-bubble within “To And Afro” byMr. Squatch. “Magic Touch” byMaster Minded then enters the flow and it’s quite the magical story of the heart full of psychedelic and dreamstep waves, a very luscious vibe – a very masterful taste with incorporation of middle eastern melodies. “Jerry’s Dream” bySomatoast has got to be one of my absolute favorites because of its mysteriously elegant yet squishy rhythmic flow which features the voice of Jerry Garcia in a cosmic setting – a technicolor twirl of imagination. A very organic feel with soothing flute instrumentation can then blissfully be felt when “Perihelion” by Living Light enters the bass-esque journey…it creates a new understanding that opens up new channels through world beats which are synchronized with soothing and rejuvenating electronic melodies, followed by the melismatic chanting of Hindu mantra. This flow is then given a twist when “Kuru” byOccult transcends… it creates a deep meditation and levitation within, it’ll teleport one into an unknown dimension through its deep bass lines and original dubstep groove.
“Organic Architecture” by I Awake still continues the deep meditation that was felt within “Kuru” but gives spark to a fresh new melody with a very organic appeal to it, it’s full of lively clicks and breaks in a flowing midtempo approach. Another favorite is “Through The Eyes Of Time” by Globular which has a trippy and world-beat atmosphere, an alien-like sound from a different universe. Its glitchy and psychedelic Eastern upbeat vibe will have you time-traveling through space, a classic Globular frequency that tells a story through the eyes of time and evolution which reveals truth. “Moonkaba” by Seamoontransitions very smoothly after Globular and has a similar feel, a very exotic psychedelic chillout beat that makes space-traveling still possible, it arises mystical atmospheres with its twisted lead sounds. Welcome to a world of infinite possibilities is the theme of “Annanika” by Itom Lab which is composed of very glitchy soundscapes with limitless intelligent composition, a lot of different styles and thought can be both felt and heard through its glitch entirety. Both “Cybrosion by Bogtrotter and “Tendrils” by Ecometric are truly a unique encounter in this compilation due to their unique sound design of glitchy detailed wurbbles and bell sounding echoes which blend well next to each other. “The Dissolve” by Subaqueous also has a mysterious sound pattern with a lot of depth in this downtempo melody…I felt as if my whole being dissolved into the melody and, as a result, I became the “air” element on Earth. “Imaginary Lines” by Erothyme has an acid funk feel to it, it feels like I’m bouncing on the moon, these electro-acoustic glitch patterns definitely uplifted me into a new level of being, it directed me into a new path. Kalya Scintilla ties this uplifting compilation together with “Trambling Soul” by Mindex which exposes a trip-hop feel, a very experimental track full of a lot of intention to the heart in entering a new phase of revelation.
This compilation resonates with my heart; each track is like a vibrant treasure hidden in an ancient pyramid waiting for the secrets of the Universe to be revealed and therefore unlocked. Each contains within it a journey, an escape into the present moment reminding us to live in the now. A deep-rooted meditation that will hypnotize you and teleport you to an ancient past life that will re-awaken you and direct you to your purpose here on Earth. These organic ambient textures and patterns of sound will sooth your being and these glitchy and sacred bass frequencies and amplitudes will guide you through a rich tapestry of spiritual healing vibes and will have a vibrantly uplifting impact and therefore enlighten and bring forth “One Consciousness”. The ‘Merkaba’ enables us to experience expanded awareness, connects us with elevated potentials of consciousness, and restores access and memory of the infinite possibilities of our being. When the Merkaba meditation is performed correctly, the Merkaba fluidly integrates our intuitive and dynamic aspects of our mind and spirit, which I was able to experience through “Resonant Mind”.