Psymbionic releases Part 2 of “Parallels” [Eye], on Gravitas Recordings on July 1st, 2014. This second part of “Parallels” explores a parallel genre to that of a heavier bass influenced feel for Part 1. It revels an atmospheric creation of downtempo/chill feels, an experiment that illustrates Psymbionic’s versatility, a dive into another realm – a pull into the Eye of the Storm. The eye is a region of mostly calm weather at the center of strong tropical cyclones, and through sounds, John Burchman, expresses a deep meditation of fulfilling low tempo frequencies, a whirlwind of cloud hypnotization. Clear and light sounding extraterrestrial communication reveals futuristic visions of new-world change, enlightened transformations, and exploration of versatility. Versatility of production is rare, and when a product of rarity is illuminated, full-depth creativity is expressed giving the creator a sense of forward thinking and acceptance of change as important factor in culture in many fields of life- Psymbionic has done that with Eye.
Eye consists of 5 auditory chill out portals: “One Thing” ft Cristina Soto,”How Am I Not Myself” ft. Govinda, “S ilkscreen” ft. Soulular, “Sonder” ft. The Digital Connection, & “Silkscreen ( ill-esha remix ). One Thing ft. Cristina Soto is downtempo galore, a future chill trap experience ready to sooth your ear pineals. Psymbionic’s rhythmic future bass composition and fluidity blends passionately with Cristina Soto’s mesmerizing vocals as she touches your heart chakra with her deeply thought lyrics, an angelic escapade. How Am I Not Myself ft. Govinda is initiated by Govinda’s sensual frequencies resonating from string instrumentation of the violin. High-pitched synthesizer and a lively melodic tempo on Psymbionic’s behalf symmetrically syncs up in addition, and a spacey future garage atmosphere is present. This tune calmly sooth your present state of mind and will unblock passages of a forgotten memory.
Silkscreen ft. Soulular is a co-production between the two, a chill-step portal, a swim into infinity, a closer pull into the eye of the storm. Souluar’s organic sound composition and spacey sounding downtempo dubs mesh well with Psymbionic’s signature melodic uplifts and glitch/bass exposure, this is the creation of two soulful producers joining forces. Sonder ft. The Digital Connection is a spacey chill tale into the unknown, an epiphany within an epiphany. This is a future bass mystery waiting to be revealed and is felt within electronica ambience. Psymbionic’s signature sounds can be heard sporadically thoughout the tune, and a deep rhythmic glitch fusion of The Digital Connection follows through creating a liquid groove. Silkscreen remixed by ill-esha is a glitch masterpiece full of limitless synth frequencies and melodies. She produces a re-occurring glitch pattern which gives it a mind of its own, it’s a distinction of rarity illuminating the original production, an aftermath of chills down your spine.
Submerge into the eye of the storm and prepare for a lift-off into explorations of the sounds and tempos of the universe and beyond. Psymbionic reveals a downtempo/chill side to his music production in variation and style. Not only does he create variety in Part 2 of “Parallels”, but also a variety of styles and collaborations of accomplished vocalists, instrumentalists, and producers. John Burcham is a driven force of light that isn’t afraid to explore other dimensions of sound frequencies, a creative and fresh outlook. Like a thread weaving together with other threads, and like sacred geometrical patters coming together, a flowing towards a creation of warmth is revealed as Psymbionic weaves sounds, textures, and rhythms together. This results in the creation of pulsating and radiating sounds meant to trigger brainwaves, and therefore release and cleanse energies, a fresh feel of relief. The fact that this was written, mixed, AND mastered by John himself amazes me. As AfroMonk himself likes to put it, Keep it Fresh.
Join the Gravitas crew this Saturday, July 5th at plug.dj‘s “Just A Chill Room” for Psymbionic’s DIGITAL album release party & Q&A!
Keese releases “Panamint Chalice” on San Francisco’s own MalLabel Music, and it’s a futuristic slow-motion tale of the mixture of genres, of purple bassinfused Glitch-Hop wonders from the northern bay of Arcata, California. West Coast Bass is an adventure of its own, just like a culture of the unknown experience of exploration. This young producer is not afraid to take risks as he will continue to experiment and bring forth luminous rays of full-spectrum energy meant to ignite the possible. Like super powers, these sound frequencies will produce rapid change and flashbacks, de-ja vu, psychic-abilities. I hope your ear pineals, and your mind’s eye are ready for an experiment of psytrap, 808’s, and sub trips, psychedelic epiphanies through auditory sense. Pick up your chalice glass and fill it up with a taste of your choice, I prefer clear liquid H20, and let these liquified sounds trigger a festive thought.
“Panamint Chalice” consists of 5 sound experiments sure to invoke invisibility, experience slow-motion effects, and time control – re-appearance into a different side. These experimental creations are entitled, “Hot Curls”, “Panamint Chalice”, “Love Yourself”, “Less is More”, and “Bonkers”. Hot Curls is a slow-motion step back, then 10 more steps forward into glitch fusion, and twirl of eerie crescendos of blended 808 beat and melodic freshness. Panamint Chalice is a proper occasion. An appropriate glitch stutter. A groovy mid-tempo whomp, a rhythmic 808 laser illumination beats created to invoke change, like that of a chameleon.
Love Yourself is an electronic upbeat first sparked by 808 feel, and continuous balanced beat of signature “drops”. Except they’re not “drops”, because they mesh well next to the prior soundscape, it’s more like a smooth twist of intelligent exposure of a new structured development of love. Less is More opened up a new wave of energy that sparked past-life inspiration. Intricate and delicate, yet powerful composition can be both felt and heard. A theme of fading effects mesh well with what sounds like alien atmospheric callings, from under the ocean and up into space, that’s some psytrap for you. Bonkers is a game of elegance meets chill, a coming of two worlds bound to cause technicolor bass whirlwinds of triggers.
Panamint Chalice is a boom of silver and gold minerals and psytrap trinkets found in a ghost town. Keese’s creation of sound experimentation is definitely fresh, I’m very stoked to see his future projects. He’s developing a rare sound in the West Coast Bass scene and isn’t afraid to express creations developed in his lab. Bass and Glitch Melodic encounters will sooth your brain waves, and blast you off into otherwordly sonic space sunset. Let these sound causations of realizations explore freshness. Here’s a free download of “Hot Curls”.
Sonic Bloom, the Unified Field, the place of Discovery. “Discovery” has been a key word for me within the past couple years, a place of the found into consciousness and open awareness, especially through music in the transformational festival lifestyle. Living Light was a recent discovery for me through a compilation called “Resonant Mind” released by MerkaBa Music in May. Living Light is the solo project of Psylab keyboardistEartha Harris and she illuminates world beats with soothing dub electronic beats & melodies meant to lighten your mind, body, & spirit. Prior to the 9th annual Sonic Bloom venture last weekend, I discovered that her soothing presence would be performing and so I sought to discover more upon her upbringing, and the story behind Living Light. After a stellar performance at the Hummingbird Stage on Saturday, we sat down for a chat about inspirations behind her music, past music projects, upcoming album releases, intuitive dreams and experiences guiding her way, and her overall intention in life, all whilst being surrounded by the breathtaking panoramic mountain views of South Park, Colorado – and thus, a very profound and powerful conversation formed. Shout out to Lovemore Creations for a beautiful moment of life that was captured through photography.
•How long have you been producing music and was there a certain event(s) in your life that inspired wanting to become a music producer?
Well, music and I go way back – haha!… Apparently when I was one years old I often would wake up my parents singing! As I grew older, playing music was always my top fascination. I was lucky to have very supportive parents that were always able to provide me with musical outlets. It started out with a little Organ that I played through my toddler years, then a Commodore 64 in elementary school with a music program on it, and then I graduated up to portable Yamaha synthesizers through my elementary and teens years, eventually with built-in sequencers that I wrote my first full pieces on!
But when I was in college is when I first started learning music production on computer. My first electronic project that I was involved in, which I was a part of for about a year, is a group called The Machine of the Garden and it was the first time I was actually involved a real professional electronic act. Then, from 1998-2006, I had a solo project called Project Sphere, all of which was self-produced. The music is somewhat similar to what I produce now under Living Light but with my own added vocals. That said, I wasn’t really a part of a sub culture that was ready for that sound back then, so around 2007 I joined up with a band named Psylab, and I actually stepped away from production and dove into 100% live-keyboard playing. I’d often play 4-5 keyboards live at any given show. It was a wild ride!
•What kind of genre is Psylab?
All electronic, but also all live, and we’d play multiple genres. Some called us “livetronica”, but we were often categorized with jam bands since we did a lot of modal improv stuff even though we were electronic dance music. We played everything from dub to house to psytrance to drum & bass. We honestly felt we could experiment with any genre since we were playing it all live. So that was an amazing experience, but it was definitely like going through a touring boot camp though. It was grueling to be on the road all of the time with all of our massive amount of live gear that we needed in order to perform.
Performing as Psylab Keyboardist
When did Living Light come to Light, what’s the story behind it? ( Continuation )
It was actually born on December 21, 2012. I was fortunate enough to have a friend of mine who is a Biophoton Therapist (which is a very cool healing modality) lead a ceremony that weekend at our house in Boston, and I remember seeing this viral video of a Mayan Elder Speaks on 2012 and he said that between December the 20th and 22nd:
“You’ll have one idea, and that idea is your life’s calling, write it down right away because it could be fleeting, but when you have it, you’ll know it…”
And so while I was in this ceremony I had this vision of our sun cresting on the Earth’s horizon, and our whole galaxy cresting on the edge of a giant wave in space-time, and all matter and space connected through frequency, and all existence coming from star-stuff, from light. I then began talking with my friend about Bio-Photon Therapy, and at that moment she mentioned that it translated to “Living Light”.
I then jokingly said…
“That would be such a great band name!”
…and that’s when I realized that was the personal vision. And the more I thought about the meaning behind the name, the more it made sense to me – light as in photons, and light as opposed to heaviness. I had an insane desire to travel the world with my music, but I needed to lighten my load in order to do so. I couldn’t get past the East Coast with the full band since we had so much gear – and it was nearly impossible to afford to fly out to festivals. I realized those multiple meanings behind the name in that instant, and that I could live lightly by starting up this side project – putting a whole band on my back! And that’s when I decided to take this break to go back to music production.
And there’s more meanings – like living non-materialistically and environmentally responsibly – living lightly upon the Earth. We are technically all living light – we come from stars, ancient sunlight, and now finally our culture is working in earnest towards using environmentally responsible renewable resources.
There’s also even a mind set of living lightly. I was very bogged down into the western fear mentality behind news and politics for a long time. We have an almost cultural obsession with the negative. Then I went away to southern India, where technically things are also dangerous, but there is also a colorful playfulness that permeates, and there isn’t this nonstop fear propaganda that you see in the western world everywhere. But then I came back home to Boston just a few days after Boston Marathon Bombing tragedy, and I was greeted with intense terrorist propaganda everywhere – from billboards to infomercials on wide screen TVs all asking if I was “ready for a terrorist attack?”. The contrast was striking, and I quickly came to realize there was no greater fear than fear itself.
So all of these are meanings that are open for interpretation for each listener, and all of these are influences behind the sounds of the first album “Ecliptic Visions” – subtle messages I like to hint at through the music, through tones, textures, and samples of people you’ll hear in the tracks.
•Musically speaking, which artist(s) have been an inspiration to you?
One of my main inspirations is this obscure group called the Saafi Brothers. I first heard them in 1999. They have this beautiful dub groove that when you listened to it, no matter what mood you were originally in, you just started to feel so at peace. They incorporate such uplifting frequencies. They are definitely one of my main musical inspirations and have been for the last 15 years or so. It was only recently that I discovered the other light-minded & inspirational frequencies such as OTT, Bluetech, Kalya Scintilla, and Desert Dwellers.
•Your track “Perihelion” was just featured on “Resonant Mind” by Yaygons’ “Merkaba Music”, how does it feel to be featured on such a forth-moving conscious music label?
So blessed. I mean, between Yaygon and Desert Dwellers. Desert Dwellers actually found me at my second Living Light show and they signed me on the spot. They’re my main label, Desert Trax, and they’re such lovely people to work with.
It’s all a wonderful family that I give thanks every day to now be connected with. Everyone knows each other and works together so symbiotically and peacefully.
•What festival did that happen at? When the Desert Dwellers signed you?
PEX Summer Festival 2013, The Philadelphia Experiment in Maryland. I still have my wrist band on because that was a moment that changed my music career.I had an intensely vivid dream the night before where I was talking with two of my favorite musicians about how I really wanted to travel with my music, and well, long story short, they said,
” Find a festival we are both playing at and we’ll show you the way…”
I then suddenly woke up, immediately opened my laptop, and at the top of my Facebook news feed was the PEX Summer Festival lineup and – boom! Both artists were listed right there as headliners. I do a lot of dream work, so I immediately thought to myself, “I’m supposed to go to this.” I immediately bought a ticket, and a camp invited me to play a couple of unscheduled Living Light sets at a chillout dome. Treavor Moontribe and Amani Friend from Desert Dwellers were at one of those sets, and after I finished, they offered to release my music on their label, Desert Trax. I had been a fan of their music for years, but this was my first time meeting them, so needless to say I was pretty honored!
They’ve been a great support team in getting my music and name out and plugging me in with other light-minded individuals within the US festival circuit. In all my years as a musician, this is the fastest any project of mine has taken flight, and I would not be where I am today without these 2 beloved brothers and this whole beautiful sonic soul family.
Me: “So this was only a year ago?
LL: “Yeah, yeah!”
• Aside your track, what other artists did you dig on that compilation, was there a new discovery?
Yes, all of them are great, but a new pleasant surprise was Mr. Squatch. I just discovered him on this comp and absolutely love his work!
• If you could live anywhere in the states, or world, where would it be?
Well, I’ve been in Massachusetts my whole life and knowing I’ve lived in Boston for 18 years, I decided that this Spring I wasn’t going to do a 19th Winter in Boston [chuckles]. So, I am actually currently checking out areas. I recently stayed for a week in Santa Cruz right before playing at Enchanted Forest. Santa Cruz is pretty lovely, so right now that’s looking like my next destination. But [looks around] Colorado is really beautiful too! and Asheville, NC also has a really great vibe to it. So I am definitely spreading my wings. Relocation is on the horizon!
Living Light is on the right track of discovery as she is building momentum in the conscious and transformational lifestyle, she’s ultimately found her life purpose, a light of inner calling. This certified Yogi has new projects in store, so make sure you keep your eyes pealed for this one as her magical and transcendent vibes will embark a transformation within you! The newest release will be coming out this September, a remix album of her current full length “Ecliptic Visions” called “Ecliptic ReVisions” and will feature remixes of her tracks by predominant and forth-moving psydub, tribal, and sacred bass master minds: Kaminanda, Bluetech, Suduaya, Skytree, Smokesign, Erothyme, Supersillyus, Icaro, Heiss, Pr∆na, Om Frequency, Subcreature, and more. The next Living Light full length album “Tales from the Karman Line” is already in the works with a projected release date of Winter 2015. Step out of your shadow and let the living light clear your being and align your chakras. Take a moment to escape and return to your spirit origin of light and let the universe’s synchronicities flash back and forth through light triggers of imaginable twists and deep-rooted intuitions composed of dub frequencies.
•Other recent appearances have included tracks on Heiss’s “Awaken(D)” remix album, and an upcoming Desert Dwellers remix EP•
Living Light -Perihelion [MerKaba Music]
Living Light – ‘Ecliptic Visions’ Preview [Desert Trax]
niceFingers’ new release Dreamery is definitely reminiscent of a dream, taking listeners on a funky cosmic journey laced with deep basslines and exquisite melodies. From time to time I listen to niceFingers’ album Intercontinental Beat Collection and enjoy its diverse brilliant sounds. Dreamery takes it to a whole new level. It is this kind of timeless, stunning music that I never tire of. You see, unlike trap, moombah, or other genre “trends”, I enjoy easy listening that just sounds undeniably good whether you are listening today or a few years from now. This album is the quintessence of that sentiment. The album is well thought out from start to finish, provoking thought and emotion in listeners. It is just the right length to keep you engaged; there is no dreaded “filler”. This could be the lush soundtrack to an adventure to another planet with other lifeforms. If so, then I’m ready.
The album starts off right with Ecliptic. It has a bright, emotive intro that tugs on your heart strings as if they are part of a massive harp spanning time and space. Then enter the funk. Groovy melodic beats lace the remainder of this truly enjoyable track, getting listeners excited for the album to come. Kaleidos starts of with pretty melodic intro (I’m all about the beautifully slow-building intros), then incorporates fun and interesting jungle vibes that keep building and put you in a trance for the rest of the track. Delirium blends in some retro beats nicely but it doesn’t lose the futuristic feel of the album. Kyrstyn Pixton’s heavenly vocals in Subduction add a fresh element into the mix at just the right time. This track is buttery smooth sailing and is so easy on the ears. Fun bleeps and bloops make up Cosmosis, which is uplifting and somehow seems to crunch and stretch you out all at once. The album ends beautifully with Dreamery, a rich and ethereal soundscape that stirs up fervent feelings.
So much imagery comes to mind in the listening of this album; it gives me nostalgia for out of this world psychedelia as well as times and places that I haven’t even experienced firsthand. It is textured and tells a story, weaving together the fabric of unreality.
Check out niceFingers’ Dreamery below (pay what you want download!).
Isn’t it all about music that makes you feel alive? Music that evokes cognizance, music that invigorates you, music that immediately fills in any cracks in your spirit? Tycho has always done a stellar job at fabricating lush and refined melodies that sooth the soul; his new release, Awake, is the quintessence of this. It’s almost as though he can transform emotions into music, manifesting aural sensations that go beyond the eardrum. The exhilaration flips vice versa as well… While listening through this album your sentiments change from lively to mellow or cold to warm, depending on the track. You can tell that Scott Hansen put it all in while making this album; it speaks directly from his heart. His aim isn’t to impress the masses but rather to use music as his creative avenue for living life in its entirety. That’s how music should be.
“Awake”, out March 18 on Ghostly Recordings, is impeccably orchestrated from start to finish; I appreciate its concision and ephemeral nature. You have just the right amount of time to soak in the transient brilliance of the release without over-thinking how it makes you feel. The track “Awake” is stunningly simple and invites you to gently close your eyes and fall into the music. I love “See”; it makes my heart flutter a bit with its ambient effervescence. “Apogee” is a bit more melancholy yet also sprinkled with bright notes. The entire album is vibrant and each track is a unique puzzle piece to the cohesive whole. Listening to this release makes me nostalgic for days spent driving through rolling California coastal hills with nothing better to do than explore Mother nature’s treasures, daydream, ponder our existence, and simply let go. Let yourself surrender and awaken – check out Tycho’s Awake here.
There is no denying the awesomeness of mixes. Put one on and float away on a roller coaster of delight without having to put thought toward what is next. There’s always that perfect mix for a road trip while driving by rolling landscapes or seasides or through the redwoods, another while prepartying and getting hyped up for a show with friends, another while lounging with some bomb food and a doobie by candlelight… You name it. I love the juxtaposition of light and dark that a lot of great mixes play around with. These are some of my favorites lately; tune on in! Most of them are free mixes that are great to add to your mobile library. So, without further ado:
ODESZA -NO.SLEEP Mix Series I have been really digging ODESZA’s style (one of my favorite sets at Symbiosis ’13 too). It’s the best when you’re really feeling certain producers and then they release mixes – easy listening made even easier! Their NO.SLEEP mix series is a nice blend of instrumental hip hop vibes, fun trappy tunes, and lovely melodies. They are about to go on tour; I definitely suggest catching them at the city nearest to you!
Subdocta – “Heartbreak Lullabyes” Mix I love this mellow mix done masterfully by the homie Subdocta, perfect for a stormy day or times of reflection. My favorite thing is discovering new great tunes while listening mixes; I was very stoked to hear “A Baru In New York (Flume Remix)- Yolanda Be Cool & Gurrumul” for the first time while tuning in to this. I also love his quote: “You can’t start a new chapter if you don’t turn the page.”
MiHKAL – LiVE at CoSM I can never get enough of MiHKAL’s sultry, flowy sets. This one makes me feel like I’m going on a cosmic journey to Alex & Allyson Grey’s The Chapel of Sacred Mirrors in NYC, where it was recorded on the Winter Solstice.
STWO: From Paris with Love French producer STWO has been absolutely crushing it lately; I have been seeing him pop up all over the place. With good reason, too! This chilled out mix features some other up and coming French producers… check it out. I imagine listening while eating a crepe and sipping coffee at a Parisian corner cafe (as cliche as that is).
Afro Monk – Late Night Sessions 009 – Bliss Soak in Afro Monk’s auditory euphoria with this mix. I enjoy all of the Late Night Sessions he has been putting out; they remind me of tranquil nights spent with friends and loved ones talking about life, existence, and truths. Intoxicating.
JOKER – Winter Mix JOKER never got out of the game. I used to jam his purple synth-driven tunes regularly and this mix reminds me why. I love his sense of adventure with ranging BPMs and blurring of genres here. I’m beyond excited to see him perform for the first time with MartyParty next week!
Mr. Rooney – Future Strange Mixtape Vol. XXVI I have really been enjoying my friend Mr. Rooney’s style lately, and this mix exemplifies it quite well. Laced with groovy beats, tasteful remixes, and stellar mixing style, this one is satisfying from start to finish. Check out the other Future Strange mixtapes; these kids are doin’ good things!
Ta-Ku – Triple J Friday Mix If this doesn’t put you in the zone then I’m not sure what will… This one is hypnotic and well mixed> Love Ta-Ku’s low-key sexy vibes.
The Widdler – Fall All Original Mix All original mixes are always fun, and this one has a lot of “Oh, WOW” moments. At times it goes hard and heavy and at others evokes totally chilled out bliss. That juxtaposition of light and dark that I was talking about before
Nicoluminous | Exodub – We Got This Mix Series The homie Nico and Exodub keep it fun and fresh with this mix. The incorporation of hip hop, future sounds, and 808 is intriguing and stimulating… check out this straight FIYAH!
The Do LaB presents In the LaB feat. Kaminanda at Coachella 2013 Weekend 1 I was very grateful that The Do LaB posted many of their Coachella sets from last summer for free download. I am a sucker for Kamininda’s style that fuses eclectic percussion, low frequencies, and squishy goodness. Another favorite set from the weekend is jOBOT’s.
I hope you enjoy! I would love to hear back about some of your favorite mixes as I am constantly adding to my listening repertoire. Love and Light
Dub FX has been on my radar since day one… I remember seeing ridiculous videos of him absolutely killing it busking back in the day. He (deservedly) became a worldwide phenomenon with his incredibly talented looping; he adds layer after layer of beatboxing which eventually culminates in a beautifully intricate and dope beat. He weaves together a story during live busking performances by beatboxing, singing soulfully, and adding pedal effects. You have to watch a video of him – believe me you will be mesmerized by this dude’s abilities. Check it out below. He travels and performs with his fiancée, Flower Fairy (if you hadn’t already been intrigued enough) and together they do everything on a completely independent basis.
I guess I didn’t realize until lately that the Aussie has multi-faceted talents. Not only does he manifest a badass live performance, but he also produces some radical beats in the studio. I love his new album Theory of Harmony; the name is quite fitting as it is feel-good music that encourages togetherness and peace within and without. Dub FX says about the release, “I’ve been traveling so much over the last seven years, meeting people from all continents and all walks of life. I’ve developed a conscious philosophy of peace, positivity, joy and healthful pursuits…”. It shows through his soulful and uplifting music. The lyrics inspire listeners to look at the big picture and see life in a positive light.
Reggae isn’t normally really my thing but Dub FX has managed to make me lean towards that type of sound. Perhaps it’s the pleasant blending of hip hop, reggae, drum and bass, and dub vibes that tugs on my heart strings. This infusion makes me just feel damn good. There is a richness as well as a authenticity about this album that can’t be ignored. Check out Dub FX for some awesome unique tunes that anyone would enjoy – support this talented artist by buying his new album here.
Pressha is one of my favorite DJs period. There aren’t many that I’ll openly say this about. It’s hard not to post every single mix he puts out. It has been awhile and this new mix is lushish. Matt has been my go to for bumping bass music without having to worry about having a heart attack. The way he balances and mixes tracks is unmatched in the bass community.
Matt has recently started working on production with Humpfree Lowgart to create the dynamic duo, Slumber Party. You can get a small preview of their upcoming EP in this mix. I’m really excited to see these guys coming together to put out some original music.
I’ve recently started to move away from my traditional go to artist and music. The whole future bass thing has pulled me away from the west coast sounds. If there’s one person that I know that will continue to put out the type of mixes I do enjoy it’s Pressha. He has a very similar format for his mixes that I use to incorporate in mine: unreleased material, sexy bass, and big support to the homies on the come up.
I’m making my way to Seattle next week for MozCon and looking forward to spending some time with him. Random fact, this guy can cook one hell of a meal. Be sure to grab this mix and check out all of his previous mixes.
I have been spending a good amount of time revamping and tweaking my sound lately. There of tons of new producers I find on a daily basis that are inspiring greatly. I am really feeling this movement to slow jams 90s R&B mixed with sullen bass, it’s totally future. Even if it’s not, I love it.
I’ve been digging and finding gold. At first I wanted to release this as one giant 2+ hour mix. Now after some serious thought, I changed my mind. The logic was that many of the tracks will get lost if all put into large one play. Each individual track means a bit more in this format, which is what I’d like to convey.
The past month I’ve been working with a close friend, Warp9, on production. The vibe and feeling that I’ve been trying to create in my own music is very much on this tip. One of my goals would be to create mixes similar to this one made up of my own production.
Now sit back, relax, and turn the lights down and enjoy <3